Tag Archives: urban legend

FP401 – Coffin: What’s Eating You?

Welcome to Flash Pulp, episode four hundred and one.

Flash PulpTonight we present Coffin: What’s Eating You?

[audio:http://traffic.libsyn.com/skinner/FlashPulp401.mp3]Download MP3

(RSS / iTunes)

 

This week’s episodes are brought to you by The Melting Potcast

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight we begin our slow approach towards Halloween with a tale of Capital City tricks and treats.

 

Coffin: What’s Eating You?

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

Coffin, urban shaman, and Bunny, his sobering apprentice, sat on the faux-wood plastic bench of a Capital City bus stop.

It was the sort of chill spring afternoon that, to Will, always felt more like fall.

His roommate’s thoughts were moving in a different direction.

“Hey-zeus,” she said, “it’s cold as Kris Kringle’s nuts out here.”

“I dunno,” answered Will, “perhaps it’s last year’s lazy raking job by the city workers, but I’d say it’d make for a solid evening in October.”

Some days were better than others for the recovering alcoholic. Some were worse.

Today was definitely worse.

“Maybe it’s always been this dog-molestingly f#cking miserable outside and I didn’t notice it under the fermented potatoes’ heat,” she replied, her neck craning above her fully-buttoned denim jacket.

Spotting a jaywalking woman wearing several layers of filth-blackened sweaters while pushing a shopping cart brimming with empty cans, Bunny reminded herself that she was supposed to be working on her perspective.

“I guess if it wasn’t for my ass freezing to the seat this’d be some decent Michael Myers weather,” she added.

“Who?” asked Coffin.

“You know, the crazy Halloween f#cker with the knife and the mask.”

“Sorry, you’ll have to be more specific, I’ve known a few Halloween crazies with knives and masks.”

It was a rare thing, in those days, for Coffin to crack a joke – and rarer still for Bunny not to be able to tell if his comment was serious or not.

“Halloween as in the movies, not as in the kiddie candy orgy,” she answered.

“Oh, yeah,” said Will.

The silence returned, and the bus did not arrive.

“Have you read up on the candy man?” the Coffin finally asked his student.

“Like, that crazy b#stard with a hook for a hand that appears if you say his name three times?”

Will turned, his eyebrow raised.

“Huh?” he asked.

“Another movie – but, in that case, the answer is no.”

Shifting to his left and seeing no approaching chariot, Coffin leaned back against the cold plastic, placed his hands in his pockets, and said, “this’d be a few decades back – a simpler era, if you believe the nostalgia. You know, back when the outfit options were mostly Dracula, Mummy, or Ghost.

“Jarvis Beauford was the sort of old man who cared for nothing more than network news broadcasts, and, even then, simply as proof that the world was going to hell just as he kept telling those who’d listen.

“Honestly, I can’t imagine there were many of those left by then.

“He’d spent thirty years working for the city before I ran into him, and his major preoccupation was road kill.

“Raccoon didn’t quite make it across the street while some van-wielding mother of seven was distracted by a screaming baby? Someone poison a stray dog because it wouldn’t stop wandering into their yard with thin ribs and an empty belly? Sixteen wheeler plow through, over, and around a fawn too fresh from the forest to realize it shouldn’t be wandering across the western highway?

“Jarvis was the guy you called.

“Best thing to wash away the stink of the day, he’d claim for the fifteen years he managed to keep his first wife, was a good dose of cheap beer. Hard to say if it was his liquid habits or his amateur taxidermy that finally pushed her away, but I’m guessing it was a little of both.

“The western end of town was still in the middle of collapsing then, and it was mostly a jumble of cheap World War II housing filled with the usual mix of hollow-pocketed young families, bone-broke students, and those so old they talked about the place in terms of ‘back when it was nice.’”

Bunny coughed and said, “so far the most unbelievable part of your story is that that neighbourhood was ever not full of craft beer drinking ###holes and greed-eyed yuppies.”

Coffin leaned forward. “As I was saying, it was Halloween night in an age before grubby-fingered looters weren’t allowed to trick-or-treat after dark.

“Jarvis had his light on, but it was grimy enough that he didn’t notice me standing in the gnarled mess of his rioting bushes when he shoved open the screen door for the kid in an unusually realistic E.T. costume.

“”Trick or treat,” says the kid, as he catches some tossed confections.

“”Little of both, maybe,” replies Jarvis, while grinning like he’s been gifted a tanker full of Milwaukee’s Best.

“Beauford seems reluctant to let the moment end, but the lingering gets weird so finally he starts retreating – then the kid does something that takes us both by surprise: He unzipped his neck and chin to reveal a soft round face and a glowing mop of brown hair.

“”I can’t wait!” says the delinquent, and he digs into his bag with both rubber-gloved hands.

“Jarvis’ face is fighting with itself; he can’t seem to decide if he wants to stop the gluttony or if it’s the greatest thing ever. The grown man giggles, pans his view up and down the sidewalk, giggles again, does nothing.

“I’m maybe ten feet away, but I can clearly hear the smacking of the boy’s teeth as he chews.

Coffin“The candy man’s face drops. He can’t look away, but his giddy glee has become total confusion.

“E.T. turns a little as he ducks down for a second sweet, and I can see the blood running down the front of his costume. I can see the gap where his lip has split to the gum line. I think he knew I was there and it was for my benefit. He even flashed a smile that pulled the slice wide, revealing the pearly whites beneath.

“Then he stands up and in goes the next mouthful.

“Now, you gotta understand that I was new to working alone at that point, and – well, before this recent explosion there was very little occult business to be undertaken beyond the occasional haunting. The season has its rep for a reason, though, even if it hadn’t meant much for two centuries.

“Still, it’s the thinnest the veil gets, as they used to say on In Search Of…, and I’d read up on this wee bugger in a Blackhall tome.

“Kids’d apparently summon the thing back when the world was brimming with mystic juice and people were willing to sacrifice a cat or two for a harvest festival urban legend. A shapeshifting imp – really just a trouble maker raised to play into the sick sense of humour they had when everyone was dropping dead of plague.”

“- and people these days talk sh#t about violent video games,” said Bunny.

Will snorted.

“As it turned out,” he continued, “between the booze and the blood, that was about all old Jarvis could take. Poor bugger went over like a carp landing on deck.

“I had to do something. I mean, it’s one thing to set a minor demon free to roam the streets out of curiosity, but it’s quite another to watch a guy in a dingy white undershirt flop to death on his porch.

“No cell service back then, of course, so there I was, running around his wood paneled living room, knocking over empty Busch cans and tossing aside stacks of TV Guide in search of a phone.

“You could read those walls as easily as the dog-eared copies of Penthouse Letters spread across the living room table. Here was a miserable man, wallowing in his mire.

“How miserable? The kind that frames his divorce papers and hangs them on the wall.

“The kind that has stuffed heads on plaques as the only type of other decoration in the space he most uses.

“There were three long rows of decapitated animals. It looked like he’d placed them side-by-side, in the order he found them, starting at the door. When he’d completed the loop he’d simply nailed the next stapled-together fawn skull a level down and begun again. Raccoons, a variety of breeds of cats and dogs, deer of various sizes: I’m no expert in the field, but there seemed to be very little care for the condition in which he scraped them off the road. Some skin was so rotten you could see the foam padding beneath.

“Then I toured the kitchen. Stacks of dishes, rinsed but left haphazardly on the counter – and a pot, the bottom of which smelled sugary sweet.

“There wasn’t a phone near the table either, where I found the hammer and a shopping list.

“Well, I didn’t know, as Beauford tossed a wad of hand-wrapped candy into the tyke’s pillowcase, that he’d spent hours crafting the soft taffy, nor that he’d been just as careful in inserting the shards of a number of shattered razors into the cooling goo. I didn’t, but the imp must’ve caught on somehow.

“I don’t think it knew what would happen, but at that point I don’t think either of us were sweating Jarvis’ heart attack as I crept away to find a too-late payphone.”

Bunny snorted and said, “perspective is a greasy f#cker like that.”

The bus arrived.

 

Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

Freesound.org credits:

Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

– and thanks to you, for reading. If you enjoyed the story, tell your friends.

Leave a Comment

Filed under Coffin, Flash Pulp

FP397 – Coffin: The Hunger for Change

Welcome to Flash Pulp, episode three hundred and ninety-seven.

Flash PulpTonight we present Coffin: The Hunger for Change

[audio:http://traffic.libsyn.com/skinner/FlashPulp397.mp3]Download MP3

(RSS / iTunes)

 

This week’s episodes are brought to you by Earth Station One

 

Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

Tonight, Will Coffin, urban shaman, and Bunny, his increasingly sober apprentice, discuss the occult danger lurking behind the counter of a wandering ice cream truck.

 

Coffin: The Hunger for Change

Written by J.R.D. Skinner
Art and Narration by Opopanax
and Audio produced by Jessica May

 

It was a Sunday, and Coffin and Bunny were sitting on a bus stop bench. It was still a little too early in the season to justify frozen treats, but the chiming tune of a persistent ice cream truck portaging between suburbs had summoned their empty stomachs to action.

Bunny had a wagon wheel in one hand and a napkin, to catch the drippings, in the other.

“F##k-bugger, the first of the year is always the best,” she was saying.

Will nodded his agreement, but it was clear to his roommate that his mind was elsewhere.

“Thinking about a cursed sundae from your youth?” she asked.

It was enough to extract a twitch of a smile from Coffin’s lips.

“No,” he replied, “well, not exactly. Notice that I leaned against the truck while waiting for our lunch?”

This time it was Bunny’s turn to nod. “You did appear to be sauntering at an unusually jaunty angle.”

Coffin: A Skinner Co. Fantasy Fiction PodcastCoffin said, “a few years before Sandy died, we fell into this situation down south. Some city-level newspapers had pulled together a string of kiddie murders, but the theories were all over the map.

“Cannibals were a popular editorial choice, with Satanists close behind, but those were mostly just signs of the era.

“The only consistencies seemed to be the apparent fact that the victims were all children, that their remains were found a few miles from where they’d disappeared, and that they were all stripped clean of flesh. Not – not perfectly. Not television-style bleached bone clean, but definitely “I’m done with this chicken leg” clean.”

Pausing to toss his half-eaten waffle cone through the trash hoop, Will moved to the bus schedule, then glanced at his watch.

“We weren’t quite sure what we were looking for,” he continued. “A werewolf? A wendigo? We were young and still had the patience to chase the wind.

“Three weeks in – and with no more to show for our wandering than a backseat full of North Carolina bar receipts – we finally caught a break. Parents don’t like the details of their child’s last moments published, but when a six-ten hulk by the name of Darius suffered the same fate, the press, hungry for something to fill summer headlines, exploded.

“The detail that really caught people was the speed. Darius’s wife noticed him missing just before dinner, and his picked-over carcass was found in a ditch outside Chapel Hill two hours later.

“Takes a lot of hungry, hungry cannibals to eat a guy that big that fast.

“It was no easy thing to raise the dead in those days, but he was fresh, and he’d died quite unpleasantly. We guessed at the route his corpse had taken, and, by walking between his last known location and the dump site, Sandy managed to use the Crook of Ortez to pull him into conversation.

“To be fair, he didn’t make it that far from where he’d disappeared before his finale.

“Anyhow, it was Darius who told us about the ice cream truck hermit.”

The topic had done nothing to slow Bunny’s consumption, and her cookie sandwich was now but a sliver.

“I don’t get it,” she said. “Magic is supposedly receding from the world?”

“It is.”

“- and you’ve said that most of the spooks and mooks haunting today weren’t noticeably around 70 years ago?”

“Also true, most entities were wisps moving outside our vision even just a decade ago.”

“So how the f##k does that explain an ice cream truck?

“There’s no chance some taint-gobbling medieval wizard attempted to summon a converted Ford that clangs out Turkey in the Straw, and no Victorian Hell Club dandy motherf##ker ever thought, ‘s##t son, I need a banana boat FROM SATAN,’ so what the sweet f##k?”

Taking a seat on the short bench and stretching his legs across the pavement, Coffin replied, “you know that saying, ‘the more things change, the more they stay the same?’ It’s basically that.

“Every generation of humanity thinks its so advanced, but everything is just a variation on a theme. Maybe it was once an eel hawker in Victorian England, maybe it was a samosa cart in Uttar Pradesh.

“Darius’s story was probably the same as a thousand others, and none of them were particularly dependant on a time period. He was standing on the corner, it was nearly dinner and he was starving, but he wasn’t especially excited about the offerings in the oven. Along comes this happy tune and a huckster hawking treats.

“Well, hell, Darius has a ten in his pocket, and there are no witnesses around to see him murder his appetite.

“He wasn’t the only one to notice that fact, however.

“The guy in the truck has a really impressive moustache, triple curled and well tended. He’s all smiles, but his patron doesn’t really notice much about him beyond the lip hair.

“The hungry husband slaps down his ten and asks for a milkshake, so the guy behind the little window leans forward like he’s going to return his change – except he keeps leaning. He leans so far forward, in fact, his customer thinks he’s actually going to fall out – but somehow his torso seems to be stretching, his white smock distending with rippling ribs, and his hand closes around Darius’ mouth.

“Then the big man’s snapped up and in like a cod fresh from the sea.

“The mustachioed fella is nothing more than a lure of course – like the orb on an Angler fish – but the hermit is really more like the crab Sandy named it after. The phantom told us it’s like a chameleon skin that’s wrapped itself around the entirety of the truck, both inside and out. A dozen eyes watched him from the surface of the soft serve machine as he landed, and a dozen more likely watched the street for witnesses.

“Even the tiny window ledge shifted forward to consume him, as Darius put it, ‘like a bottom lip.’

“The floor looked like plastic matting, but was spongy and thick. Probably the main meat of the thing. The comfortable landing didn’t last long, though, as countless mouths opened in the leathery flesh, and the tinkling speakers kicked in to help cover the screaming.

“Thing is, while he was scoping the neighbourhood to make sure his wife wasn’t going to hear of his caloric indiscretion, the dead man had put his hand on the truck’s side, all casual like. He’d noticed that it was warm and felt strange – like dog skin, even though it looked like white-painted metal.

“He’d been too busy worrying about getting busted to think more of it than wiping his palm on his shirt and moving on.

“Anyhow, I don’t know if the hermit sniffed out that we were onto him, or maybe Darius was finally just a satisfying enough meal, but the killings seemed to stop after that; well, at least in that area. Sandy – she was getting pretty obsessive by then. She had us spinning our wheels for months.”

“Wait,” said Bunny, “that’s why you leaned? You never f##king found Johnny Monster-in-a-Box?”

“Nope,” answered Will, as he stood to wave down the approaching bus, “but everything changes eventually.”

 

Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

Coffin’s theme is Quinn’s Song: A New Man, by Kevin MacLeod of http://incompetech.com/

Freesound.org credits:

  • Ice cream truck2.mp3 by 8767yy
  • Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    Leave a Comment

    Filed under Coffin, Flash Pulp

    FP392 – Underachiever

    Welcome to Flash Pulp, episode three hundred and ninety-two.

    Flash PulpTonight we present Underachiever

    [audio:http://traffic.libsyn.com/skinner/FlashPulp392.mp3]Download MP3

    (RSS / iTunes)

     

    This week’s episodes are brought to you by The Beer Trail

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight we tell the tale of a wayward youth, and the gun he considers his last recourse.

     

    Underachiever

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    Theodore, sixteen, had bought the revolver a month earlier from a man named Bill. Bill had also been selling questionable televisions and grandmotherly dishware from the rear of his Econoline van, but it was just the pistol that the boy had been interested in.

    His mother loved Theo and his sister, Abbie, dearly, which is why she worked such long hours at the Piggly Wiggly to compensate for the lack of support from their deadbeat father. The job, however, was also the reason she drank so much when she got home.

    The mother and teen’s schedules rarely intersected, but in those brief moments – often when she’d just returned from a shift and he was about to depart for a cheap action flick at the multiplex – she had come to suspect something was awry.

    She had not seen the weapon, but anxiety over what she might discover about her son had left the bulge in his right pocket un-confronted.

    The night before the shooting had been a hot one, and the teen had watched the sunrise crawl up his wall while contemplating facing another round of bellowed insults from Mathew Barnes.

    Barnes, a year older and a foot taller, had spent the better part of three semesters making Theo and Abbie’s walks to school miserable, and any change in route only seemed to bring new energy to the torment.

    A Skinner Co. PodcastDespite their efforts to fight back, or surrender, or seek help, four weeks earlier the menace had moved from verbal to physical. Sick of hearing the imitation of Abbie’s stutter that his family was too poor to do anything about, the youth had made some choice comments regarding Mathew’s mother’s hygiene, her uncritical choice in lovers, their shared lineage, and the possibility that, despite the time paradox, Theo may have in fact been his father.

    As Barnes had been flanked by two of his better friends, venting cost the big brother several bruised ribs, a twisted knee, and a bloody nose.

    Still, a cruising patrol car pulled aside to see what was going on, and, when silent Mr. Acevedo – who’d caught the tail end of the incident while walking home with his first coffee of the day – was asked who started it, the finger was pointed at Theo.

    Theo, hand on pistol, again passed Mr. Acevedo in the hallway that morning. As always, the balding handyman had struck him as distant and alien. The same internal blinders that made the boy unable to see the similarities between his own life and that of the man who lived in the same building, in the same neighbourhood, in the same city, had left Theo feeling there was but a single solution – that left him feeling as if he were alone in solving the problems with Barnes.

    Moments later, when Barnes had raised his hand high and brought his palm down across Abbie’s left cheek in response to the girl telling him to b-b-b-b-blow her, Theo found himself reacting with a full fist and a scream.

    That might’ve been the end of Mathew Barnes, and Theo’s life as a free human, were it not for a sudden intervention.

    The saviour was not, however, Abbie’s estranged father as summoned by his mother, it was not uniformed officers called in by Mr. Acevedo, it was not even Mathew’s crew arriving to defend their fellow goon.

    A single white van peeled around the corner, its side-door sliding wide to reveal a figure: A besuited man with a pasty white face and thick black mutton chops. Below the stranger’s handlebar mustache projected a multi-barreled rotating canon.

    It began to spin.

    The first three shots fired from Theo’s pistol simply seemed to warp the space around the machine gunner, but the final trio landed across his chest, causing spiderweb cracks at the impact points.

    Before the boy could fully comprehend that he’d slain a television screen, the flood of PVC-skinned sumos began.

    From the building’s rear pathway, from the loading bay that lead to the trash room in the basement, from the neighbouring towers, a hundred figures, each with a face identical to that of the man in the van, erupted into view.

    The clones, Theo realized, were just masks, their necks tucked into inflatable plastic suits that made them all equally round – then there was a rubbery impact at his shoulder that sent him stumbling towards an approaching balloon belly.

    The sumos were giggling, and, within a dozen playful impacts, Theo could not resist but joining in. He did not notice the pistol disappear in the melee, nor would he ever wonder about where it had gone.

    His nemesis did not have it so easily. As Matthew had buffeted others, so too was he now buffeted. Nothing more than a pinball in a deluge of bumpers, he lost all control of his direction, his self-control, and his bladder.

    From beneath a dog pile of a half-dozen inflated Achievers, a truce was extracted from the tormentor – a truce that he would never dare break.

    Abbie, who’d set adrift her online plea for help some four weeks earlier, could only clap.

     

    Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

    Coffin’s theme is Quinn’s Song: A New Man, by Kevin MacLeod of http://incompetech.com/

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    Leave a Comment

    Filed under Flash Pulp, Science Fiction

    FPSE23 – The Myth of the Big Game

    Welcome to Flash Pulp, special episode twenty-three.

    Flash PulpTonight we present The Myth of the Big Game
    [audio:http://traffic.libsyn.com/skinner/FPSE023.mp3]Download MP3

    (RSS / iTunes)

     

    This week’s episodes are brought to you by Nutty Bites

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight we relate to you a most dangerous urban legend from the sick beds of Capital City and beyond.

     

    The Myth of the Big Game

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    A Skinner Co. Network Podcast
    For more on this urban legend visit the Flash Pulp wiki!

     

    Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    Leave a Comment

    Filed under Flash Pulp, Special Episode

    FPSE21 – Cleavage

    Welcome to Flash Pulp, Special Episode Twenty-One.

    Flash PulpTonight we present Cleavage, Part 1 of 1
    [audio:http://traffic.libsyn.com/skinner/FPSE021.mp3]Download MP3

    (RSS / iTunes)

     

    This week’s episodes are brought to you by Nutty Bites

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight we relay a brutal urban legend from the back alleys of Capital City.

     

    Cleavage

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    A Skinner Co. Podcast

     

    Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Intro and outro work provided by Jay Langejans of The New Fiction Writers podcast.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    Leave a Comment

    Filed under Flash Pulp, Special Episode

    FPSE19 – The Girl in the Mattress

    Welcome to Flash Pulp, Special Episode 19.

    Flash PulpTonight we present The Girl in the Mattress
    [audio:http://traffic.libsyn.com/skinner/FPSE019.mp3]Download MP3
    (RSS / iTunes)

     

    This week’s episodes are brought to you by Skinner Co.!

     

    Flash Pulp is an experiment in broadcasting fresh pulp stories in the modern age – three to ten minutes of fiction brought to you Monday, Wednesday and Friday evenings.

    Tonight, as the spirit of Halloween possesses Skinner Co. in questionable and un-requested ways, we hear a supposed urban legend – a short tale of the restless dead.

     

    The Girl in the Mattress

    Written by J.R.D. Skinner
    Art and Narration by Opopanax
    and Audio produced by Jessica May

     

    A Skinner Co. Production

     

    Flash Pulp is presented by https://www.skinner.fm, and is released under the Creative Commons Attribution-Noncommercial 3.0 Unported License.

    Freesound.org credits:

    Text and audio commentaries can be sent to comments@flashpulp.com – but be aware that it may appear in the FlashCast.

    – and thanks to you, for reading. If you enjoyed the story, tell your friends.

    Leave a Comment

    Filed under Flash Pulp, Special Episode